Claire Adelfang
Le Belvedere - Interieur III, 2015
photograph framed under matte, anti-reflective, anti-UV diasec with a flush wooden frame
120 x 120 cm
47 1/4 x 47 1/4 in
47 1/4 x 47 1/4 in
Series: Versailles
In 2014, Claire Adelfang was invited by the Château de Versailles to contribute a series of photographs for the publication Les Carnets de Versailles (n°7, April-September 2015). This collaboration marked...
In 2014, Claire Adelfang was invited by the Château de Versailles to contribute a series of photographs for the publication Les Carnets de Versailles (n°7, April-September 2015). This collaboration marked the beginning of a deep exploration of the estate, focusing specifically on the Hameau de la Reine before and during its restoration.
Claire’s work uniquely captures the concept of intimacy associated with the Hameau de la Reine, offering a rare glimpse into Marie-Antoinette’s private quarters. By approaching the site as a repository of personal stories rather than merely historical artifacts, Claire’s photographs reveal a world behind closed doors, showcasing the interiors hidden from public view.
During the restoration, Claire shifted her focus to the interplay of space and light, exploring the site’s ethereal and nearly abstract qualities. In her triptych, "Mirrors," she presents a fragmented view that creates multiple layers of meaning. Since the image is divided, viewers are immersed in an abstract dialogue within the mirrored room. This work exemplifies her evolving graphic exploration and abstract tendencies.
Among her notable discoveries within the Château de Versailles, Claire was granted access to the Belvédère, once intended as a music salon. She recalls it as a space rich in historical and artistic significance, further enhancing her engagement with the estate’s legacy. This refined approach ensures that each element of the statement is interconnected and clearly communicates Claire Adelfang’s artistic vision and accomplishments.
Claire’s work uniquely captures the concept of intimacy associated with the Hameau de la Reine, offering a rare glimpse into Marie-Antoinette’s private quarters. By approaching the site as a repository of personal stories rather than merely historical artifacts, Claire’s photographs reveal a world behind closed doors, showcasing the interiors hidden from public view.
During the restoration, Claire shifted her focus to the interplay of space and light, exploring the site’s ethereal and nearly abstract qualities. In her triptych, "Mirrors," she presents a fragmented view that creates multiple layers of meaning. Since the image is divided, viewers are immersed in an abstract dialogue within the mirrored room. This work exemplifies her evolving graphic exploration and abstract tendencies.
Among her notable discoveries within the Château de Versailles, Claire was granted access to the Belvédère, once intended as a music salon. She recalls it as a space rich in historical and artistic significance, further enhancing her engagement with the estate’s legacy. This refined approach ensures that each element of the statement is interconnected and clearly communicates Claire Adelfang’s artistic vision and accomplishments.